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Beats, Rhymes & Life: The Travels of a Tribe Called Quest
(Documentary)
By ANDREW BARKER



A Rival Pictures and State Street Films presentation in association with Om Films. Produced by Edward Parks, Frank Mele, Michael Rapaport, Eric Matthies, Robert Benavides, Debra Koffler, ATCQ, Robert Teitel. Co-producers, Justin Alvarado Brown, Erika Williams. Directed, written by Michael Rapaport.
With: Q-Tip, Phife Dawg, Ali Shaheed Mohammed, Jarobi White, Adam Yauch, Michael Diamond, Adam Horovitz, Pharrell Williams, DJ Red Alert, Prince Paul, Large Professor, Pete Rock, Barry Weiss, Common, Busta Rhymes, Mary J. Blige.

A music docu that mostly dodges "Behind the Music"-style tall tales or breathless evangelism, Michael Rapaport's "Beats, Rhymes & Life: The Travels of a Tribe Called Quest" gives the seminal early '90s hip-hop group as stylish and intimate a treatment as fans could hope for, paying as much attention to the music in question as it does to the characters who made it. Evergreen interest in the group should provide very healthy ancillary, and a theatrical excursion is certainly a possible scenario.
First-time filmmaker Rapaport manages to gain quite close access to his subjects -- two band members cry on camera, quite an unusual concession for musicians in this genre -- and makes some very smart choices in shaping the footage. Personal revelations are rarely presented for their own sake, but rather to reveal the import that the band members' complicated relationships have on their music, and the film avoids the de rigueur enumerations of superstar excesses that often plague music docs of this type.

The Queens group always had highly-developed onstage personae, and it's refreshing to learn that these are clearly outgrowths of their actual personalities: Q-Tip is the artiste, both flamboyant and unknowable; Phife Dawg his garrulous, diabetic sidekick; Ali Shaheed Mohammed the stoic behind the turntables; and Jarobi the friendly cypher.

Proceeding through each of the group's five albums, the film allows Tribe and a murderer's row of contemporaries like De La Soul, Large Professor, Pete Rock, Busta Rhymes and the Beastie Boys to make unusually specific commentary on particular pieces. Of particular interest is a scene inside Q-Tip's home studio, where he produces an obscure Lonnie Smith LP from which he unearthed a key drum sample ("I nearly wet my pants (when I heard it)," he recalls), while group discussion of a particularly rewind-worthy rhyme of Phife's from "Electric Relaxation" generates hilarity.

Things turn uncomfortable in the later going, as the group breaks up, then reunites, with festering antagonism between Q-Tip and Phife reaching ugly levels. There's some startling 2008 footage of a backstage blow-up between the two that nearly turns violent, followed by rather vicious post-mortem commentary. Shortly thereafter, Phife's health takes a bad turn, requiring a kidney donation from his wife.

Rapaport attempts to put a happier face on things at the end, as the group reunites for a handful of shows, but it feels a bit disingenuous, as tensions clearly still remain. The film also pays somewhat scant attention to the group's final two albums, which is strange as the penultimate one provides the film with its title.

All in all, however, "Beats, Rhymes & Life" is a remarkably thorough examination of the band, and its hopeful end title revelation that Tribe is still on the contractual hook to produce one more record reveals the filmmaker's clear love for the band.

Archival footage is extensive, with music expertly stitched together by bold-name beat-makers Madlib and Peanut Butter Wolf. Interstitial and opening credits animation sequences are eye-popping.

and a theatrical excursion is certainly a possible scenario.

grass wrote:I'm interviewing Ali Shaheed tomorrow if anyone got some questions?

grass wrote:I'm interviewing Ali Shaheed tomorrow if anyone got some questions?

grass wrote:I'm interviewing Ali Shaheed tomorrow if anyone got some questions?

blessingindisguise wrote:Phife dawg apparently got emotional after viewing it on this link.

http://videos.nymag.com/video/Sundance- ... ife%20Dawg

i can't wait to peep it

Req wrote:Phife >>>>

The Queens group always had highly-developed onstage personae, and it's refreshing to learn that these are clearly outgrowths of their actual personalities: Q-Tip is the artiste, both flamboyant and unknowable; Phife Dawg his garrulous, diabetic sidekick; Ali Shaheed Mohammed the stoic behind the turntables; and Jarobi the friendly cypher.

YN Blackout

There's always been something about this Michael Rapaport guy, I don't like. SMH. I just can't put my finger on it. And I'm pretty much sick of the ongoing saga behind this Tribe documentary. Something about Sundance didn't sit right with me. Phife cryin' crocodile tears about how he wish Q-Tip knew how much the people love him? Huh? What? Isn't this an authorized project? It seems very telling that only one member of the group showed up to the big reveal. This is supposed to be a shining moment for hip-hop. The story of one of our greatest groups of all-time. We don't even have rap groups anymore! And instead the clouds of controversy won't clear up. What happened to Nas? Didn't the tax dodger spearhead this project in the first place around three years ago. Are you a culture vulture, Mike? An outsider putting his personal agenda above Tribe's legacy? An obsessed stan attempting to turn an authorized work into an unauthorized one? If what Q-Tip told me on Shade 45 is true and that all four members of the group are also producers of the project, I think you need to make things right with your partners, patna. All of 'em. I never did like Zebrahead.

Req wrote:Phife >>>>

Of particular interest is a scene inside Q-Tip's home studio, where he produces an obscure Lonnie Smith LP from which he unearthed a key drum sample ("I nearly wet my pants (when I heard it)," he recalls),

Req wrote:we get it dude, you use your site to go to bat for your faggoty industry pals when they're getting slaughtered (Flex, Swizz etc), your shit is corny.

http://rapradar.com/

YN Blackout

There's always been something about this Michael Rapaport guy, I don't like. SMH. I just can't put my finger on it. And I'm pretty much sick of the ongoing saga behind this Tribe documentary. Something about Sundance didn't sit right with me. Phife cryin' crocodile tears about how he wish Q-Tip knew how much the people love him? Huh? What? Isn't this an authorized project? It seems very telling that only one member of the group showed up to the big reveal. This is supposed to be a shining moment for hip-hop. The story of one of our greatest groups of all-time. We don't even have rap groups anymore! And instead the clouds of controversy won't clear up. What happened to Nas? Didn't the tax dodger spearhead this project in the first place around three years ago. Are you a culture vulture, Mike? An outsider putting his personal agenda above Tribe's legacy? An obsessed stan attempting to turn an authorized work into an unauthorized one? If what Q-Tip told me on Shade 45 is true and that all four members of the group are also producers of the project, I think you need to make things right with your partners, patna. All of 'em. I never did like Zebrahead.

Req wrote:Phife >>>>

TopLeft Recordings wrote:

Req wrote:Phife >>>>

clark bent wrote:

TopLeft Recordings wrote:

Req wrote:Phife >>>>

what does this even mean?