It isn't though. This kind of approach worked in say 1995 if your name was Funkdoobiest but nowadays it just comes off as pointless. To me, anyway. I;m not mad at anyone for liking it.drizzle wrote:db49 is a totally different animal from gside, nowhere near as spacey or introspective. just shitkicking dumbout fun stuff.
i actually wasn't crazy about this song myself when it first came out, it grew on me though
BUT, it is all immaculately crafted. the amount of effort and attention to detail these guys put into verses about getting drunk and getting your dick sucked is impressive in of itself
GSide/Blockbeattaz/SMS and things huntsville related
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- Awesome Vatican Assassin
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but it's not 95 anymore. consider the fact that at this point most songs with the similar lean consist of two or three continuously repeated catchphrases augmented with some grunts and shout outs
http://www.steadybloggin.com - some of these are my thoughts yo
Noted, but isn't this a terribly depressing rubric (I'm sure you have other reasons for digging this, but I'm looking for anything to grasp on t at this point)?drizzle wrote:but it's not 95 anymore. consider the fact that at this point most songs with the similar lean consist of two or three continuously repeated catchphrases augmented with some grunts and shout outs
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it is depressing, and it is almost as depressing to argue for a song simply on the merits of the creators putting palpable effort into it (something which would seem to be an a priori requirement for the song to even exist in the first place). but that doesn't change the fact that if i had a whip this song would bang in it.
http://www.steadybloggin.com - some of these are my thoughts yo
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new bentley song and a new kristmas song, steadyb exlusives
there was also a new db49 song yesturday
and the album is tomorrow
new bentley song and a new kristmas song, steadyb exlusives
there was also a new db49 song yesturday
and the album is tomorrow
http://www.steadybloggin.com - some of these are my thoughts yo
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happy hour:
http://limelinx.com/files/9be6447e60bfd ... 0974ad8d26
First ny g-side show eva:
http://www.mayslesinstitute.org/cinema/calendar.html
From Huntsville to Harlem: G-Side Live!
Alabama hip-hop screening, discussion, & performance
The earlier film and discussion will be followed by a performance of G-Side, a hip-hop group hailing from Huntsville, Alabama, whose excellent Huntsville International street album has helped put Huntsvilleגs rap scene on the radar. The do-it-yourself work ethic of G-Side and Codie G, manager of local independent label Slow Motion Soundz, show how the spirit of self-determination continues to live on in the South. There will also be a screening of footage and interviews documenting the history of hip-hop in Alabama, alongside a discussion.
http://limelinx.com/files/9be6447e60bfd ... 0974ad8d26
First ny g-side show eva:
http://www.mayslesinstitute.org/cinema/calendar.html
From Huntsville to Harlem: G-Side Live!
Alabama hip-hop screening, discussion, & performance
The earlier film and discussion will be followed by a performance of G-Side, a hip-hop group hailing from Huntsville, Alabama, whose excellent Huntsville International street album has helped put Huntsvilleגs rap scene on the radar. The do-it-yourself work ethic of G-Side and Codie G, manager of local independent label Slow Motion Soundz, show how the spirit of self-determination continues to live on in the South. There will also be a screening of footage and interviews documenting the history of hip-hop in Alabama, alongside a discussion.
http://www.steadybloggin.com - some of these are my thoughts yo
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yes and no
some really good songs, he's def got promise as a producer and his rapping is steadily improving.
but the presentation is somewhat lacking imo... some of the songs are not mastered all that well, it's not as polished as the SMS product usually is and the dj annoys the shit out of me
there are obv common mixtape issues, so maybe i'm just spoiled by the standards they've set for themselves with past releases. their 'mixtapes' are usually album quality
some really good songs, he's def got promise as a producer and his rapping is steadily improving.
but the presentation is somewhat lacking imo... some of the songs are not mastered all that well, it's not as polished as the SMS product usually is and the dj annoys the shit out of me
there are obv common mixtape issues, so maybe i'm just spoiled by the standards they've set for themselves with past releases. their 'mixtapes' are usually album quality
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i know i'm likely in the minority on that one, the response to it has been generally very positive
i don't hate it by any means, i wouldn't have put it on the blog if i did. wifi is my shit, and there's a bunch of other good songs there as well. but i do think it could've been better. maybe it has to do with inflated expectations in the wake of In the Box and Happy Hour
i don't hate it by any means, i wouldn't have put it on the blog if i did. wifi is my shit, and there's a bunch of other good songs there as well. but i do think it could've been better. maybe it has to do with inflated expectations in the wake of In the Box and Happy Hour
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I'd say that Happy Hour and the Clova tape are about the same level. I think I might actually prefer the Clova tape right now - the Clova tape has that old HSV sound that I fell in love with in the first place.drizzle wrote:i know i'm likely in the minority on that one, the response to it has been generally very positive
i don't hate it by any means, i wouldn't have put it on the blog if i did. wifi is my shit, and there's a bunch of other good songs there as well. but i do think it could've been better. maybe it has to do with inflated expectations in the wake of In the Box and Happy Hour
In The Box was a disappointment though. Those guys are better than that - there were plenty of nice moments throughout, but it felt unfinished and not particularly memorable.
Giraff-o-o-o-o-o
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Since I have no idea what you're talking about or of how that comparison is set up in the first place, why don't you enlighten me? How are "these guys (...) worse than Anticon"? What is it about them that you don't like? How much of their music are you familiar with? Is all of it equally bad? If this is so bad, what do you reckon is "good"? etc. etc.Employee wrote:These guys are worse than Anticon.
Seriously.
Giraff-o-o-o-o-o
Location: NorwayGiraffo wrote:Since I have no idea what you're talking about or of how that comparison is set up in the first place, why don't you enlighten me? How are "these guys (...) worse than Anticon"? What is it about them that you don't like? How much of their music are you familiar with? Is all of it equally bad? If this is so bad, what do you reckon is "good"? etc. etc.Employee wrote:These guys are worse than Anticon.
Seriously.
Your take on this article? I think it's kind of shitty, in a "who the fuck would benefit from reading this?" kind of way.drizzle wrote:caramaica's write up of saturday's show
http://www.nytimes.com/2010/08/23/arts/ ... ide&st=cse
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It's snarky and passive aggressive. Seems like Caramaica asked for the assignment but realized he jumped the gun by covering a scene that's not exactly ready to be covered by the "newspaper of record." I'm one of Huntsville's biggest proponents, but the scene needs actual, um, fans before getting this kind of media coverage.Thun wrote:Your take on this article? I think it's kind of shitty, in a "who the fuck would benefit from reading this?" kind of way.drizzle wrote:caramaica's write up of saturday's show
http://www.nytimes.com/2010/08/23/arts/ ... ide&st=cse
Ok, so you're just old and stupid. I get it now.Employee wrote:Location: NorwayGiraffo wrote:Since I have no idea what you're talking about or of how that comparison is set up in the first place, why don't you enlighten me? How are "these guys (...) worse than Anticon"? What is it about them that you don't like? How much of their music are you familiar with? Is all of it equally bad? If this is so bad, what do you reckon is "good"? etc. etc.Employee wrote:These guys are worse than Anticon.
Seriously.
Giraff-o-o-o-o-o
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he did a good job summarizing the itinerary points of the evening. but he tries to touch on some larger themes without having neither the space nor (seemingly) the desire to really dig deeper into them in this write up. so as a whole it feels kinda awkward, and i can see how RC would read it as passive aggressive.Thun wrote:Your take on this article? I think it's kind of shitty, in a "who the fuck would benefit from reading this?" kind of way.drizzle wrote:caramaica's write up of saturday's show
http://www.nytimes.com/2010/08/23/arts/ ... ide&st=cse
the fact that he banged this out in a very short amount of time might have something to do with it. the show was on saturday night, the article went up on the nyt website early sunday afternoon.
http://www.steadybloggin.com - some of these are my thoughts yo
oh great. another thread on philaflava ruined by this bullshit.
this beat is ridiculous:
<object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/GviizaxTqN4?fs ... ram><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/GviizaxTqN4?fs=1&hl=en_GB" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object>
this beat is ridiculous:
<object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/GviizaxTqN4?fs ... ram><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/GviizaxTqN4?fs=1&hl=en_GB" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object>
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it is a good beat but i'm not a fan of the song overall, they should've gave it to somebody who's not a flamboyant TI impersonator. pretty sure the song is like 2 years old too, i think the dude wanted a vid for it now because his mixtape just came out
http://www.steadybloggin.com - some of these are my thoughts yo