alpha wrote:question: I read the og version was 20 episodes, and the US version is only 13. how the fuck is this still so boring sometimes?
It's "boring" because it was meant to be about the characters and morals. From what I've seen this remake is kinda shit because they don't recapture the atmosphere which made the original intense, mostly because the actors in the remake are pretty poor and the characters are simplified, which means you end up caring less about them.
Twitch is on the money as usual.
http://twitchfilm.com/reviews/2011/05/t ... review.php
(...) These are the protagonists of The Killing, and the show follows them equally in each episode which are day-by-day but gradually so. The day turns to night and although it is not precise the 20 days pass over the 20 episode arch. It is chronological with no flashbacks or devices. 20 episodes is a lot to work through however, and for what is essentially one cover up, 20 episodes begins to grind. It is a very slow burn series that has peaks and troughs; patience is required as some episodes setup a big reveal or exciting scene in the next.
Some episodes however were yawn inducing, while others demand total attention. The midway point of the series leaves the viewer in a strange place, it attempts some twists that no other crime procedural has, but The Killing is primarily about the characters that inhabit it and not the processes, grit, realism or underlying plot.
The mood certainly helps drive the characters and the tone of the entire hopelessness of the seemingly never-ending and exhaustive murder case and the city of Copenhagen and its dark and grimy locations. The city itself is almost a character as it is thoroughly explored with a variety of impressive set pieces that add to the mystery of Nanna's murder.
Character is integral in The Killing, so each characters flaw is highlighted. Sarah is in the throes of leaving, has problems with her son and her Swedish partner and as the case becomes more and more vague she begins to lose touch of reality, "you only care about dead people" her son snaps at her, but even he is wrong, as Sarah's reason for finding the killer overshadows any care she has for Nanna or her family; she is an ice queen obsessed with only one thing, the truth.
The Killing, although boring in parts, is ultimately worth the watch. It is heavy on politics and moral and ethical dilemmas, but its focus on character rather than action or results makes The Killing more like 24 on Prozac.
The Killing was recently remade as an American drama. It is practically the same, with the episode structure itself not even changing and is essentially a complete waste of time, with overdone caricatures, unrealistic responses and bad casting choices. See the original.